‘Art Crime’

Graffiti

Are you an artist? What’s your medium? Music? Pencil and Paper? A bottle of spray paint and the South wall of your local bank? How many times have you been condemned for expressing you art? All of these questions are risen in my mind by two words, “Art Crime.”

A photograph can be argued over because it depicts a man laying naked with another man or it shows a woman dressed in torn, wet, fishnet tights and a ripped corset with make up leaking down her cheeks, holding a bottle of Whiskey, walking down the dark streets of San Fransisco. People get offended by images that show truths that most of us are unwilling to accept. That’s called provoking emotion. That is the sole purpose of art, to provoke emotion. So why is it that some art forms are illegal?

It’s true that some graffiti isn’t very pleasant to look at like gang tags and stupid anarchy signs that morons use to “mark their territory.” But, I literally don’t see anything wrong with the graffiti art that posted around the world. I mean the graffiti that actually has meaning and shape and colors and creativity. I don’t get what the big deal is. Graffiti is just painting but instead of using a canvas you use a building or a billboard or something like that. It’s just another way for artists to express their, well…..artistry.

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Death and Art Value

In the worldly beloved art museum of Louvre, there is an important rule strictly applied to all artists.

Every artist must die for over sixty years to have the masterpiece displayed.

This rule abandons the positive correlation between price and demand and most logics that we could possibly mention.

Then, why is it true that artistic value increases along with death?

The answer may be related to the discovery of veiled works after death like Emily Dickinson‘s findings, people’s preference for old genre, or successful estate planning.

Estate planning essentially ensures the art value for the artists. During this process, they are highly recommended to make a will with a careful selection of their artworks that have been evaluated professionally, to decide the management of these works for 70 years after their death, and to figure out a way to reduce the inheritance taxes.

However, the case with Vincent van Gogh who left the world without such plan divulges a mystery of dramatic increase in his artistic value.

Despite the high appraisal he receives from the world today, his death was lonely with unpopularity. Perhaps, his artworks were overly avant-garde to be appropriately appreciated during his lifetime like Leonardo Da Vinci’s previously infamous but revolutionary creation of wheel transportation.

In the midst of this ambiguity, the Louvre Museum continues oblige its artworks to belong to the dead artists.