These are not my favorite actors, just actors that have been in a lot of movies I’ve seen.
Tom Hanks: Terminal- great story, made me cry when Forrest Gump didn’t. Great performance, and a convincing accent to me. Really unique plot and an interesting antagonist.
Daniel Day-Lewis: There will be Blood- honestly this performance is the reason I decided to write this blog. Some of the best acting from an already incredible actor. Many powerful scenes in this movie.
Willem Dafoe: The Grand Budapest Hotel- I mean what a cool character, that scene with the fingers. Anytime he was in a scene it was more interesting. Also, John Wick was a good movie with him in it- but not really because of him. I notice Dafoe is in a lot of movies I watch but rarely plays a big role in them (besides Spidermen).
Leo: The Departed- probably a controversial pick but a terrific cast and director. It’s intense and funny, Leo really delivered. At its core, this movie’s characters are what make it special, you really feel like you know them and you’re invested in their fates.
Oi Vey! Here we go again. For someone who dislikes writing these nuisances, I very much enjoy reading them. Except for that one dude who wrote about the way women smell like that’s pretty weird dog. Elizabeth, I think your bad luck might have to do with the fact that you had a drink on your piano, I’m pretty sure that’s sacrilegious or something. Alula be careful expecting this summer to be the best ever, high expectations have a tendency to let us down I recommend trying to just go with the flow rather than assuming what the future will be. I liked your Journey w/ Journalism post. I wish Mr. Alaverez mandated that we all wrote these like even the Journalism 2 students. honestly, I wish the whole school had to do them. I think the way people write in casual circumstances is a great view of their personality. Not that it’s a complete view of who they are but writing without revisions is like a way to see how people think and I find that super interesting. I wonder what people think of me and my writing, I definitely don’t put as much thought into these as other people do but I still think that they provide a view of me. I think the discussion about movies was my favorite Journalism class ever. It was probably one of the first things that made me think about how I’ll miss OVS. Last night, we were talking about how even though OVS is small and we often consider that a bad thing, it really forces you to interact with people you normally wouldn’t and I think that is fantastic. Like, and I’ve said this before, but there’s really nobody at the school I wouldn’t be absolutely opposed to hang out with outside of school. We really have an amazing collection of individuals here.
In no particular order, here are some movies and shows I watched, loved, and would highly recommend. Some of them I grew up with and others I’ve seen in the past year, some of them are basic, and others maybe not so much.
The Queen’s Gambit, The Matrix, Breakfast at Tiffany’s, Stand By Me, The Notebook, Mamma Mia (the original), 13 Going on 30, Gilmore Girls, Where the Crawdads Sing, The Sound of Music, How to Lose a Guy in 10 days, 10 Things I Hate About You, Amélie, Goodwill Hunting, Clueless, Scream, When Harry Met Sally, Miss Congeniality, Dirty Dancing, Forrest Gump, The Shining, Friends, Steel Magnolias, Stranger Things, Star Wars, The Florida Project, Moonrise Kingdom, The French Dispatch, The Grand Budapest Hotel, The End of the F***ing World, The Edge of 17, Les Miserables, The Karate Kid (the original), 500 Days of Summer, It’s a Wonderful Life, Psycho, The Fugitive, Pretty Woman, and Only Murders in the Building.
And here’s a short version of my to-watch list:
Roma, Léon (The Professional), and The Great Gatsby.
In general best movie ever: Scent of A woman. Already wrote an entire blog post about how great this movie is, but overall 10/10 across all categories- especially acting, plot, and screenwriting.
Soundtrack: for me, it’s a 3-way tie between Baby Driver, O Brother Where Art Thou, and 500 Days of Summer.
Action: John Wicks- super basic but true like for me it goes in order of chapters 1, 4, (3 and 2 tie). All the action is super satisfying to watch, but an underrated one would be Scarface
Horror: ok the scariest movie I’ve ever seen is the Lighthouse but it’s not really scary. It’s just really gross and made me the most uncomfortable- I really don’t like this movie.
Romance: to be honest I’ve only seen a ton of romcoms, but my favorite has to be Notting Hill, 10 Things I
hate About You, and My Best Friend’s Wedding.
Comedy: Superbad- it’s just hilarious I love Fogell and the Cops, haha.
Best “film bro” movie: The Pianist, French Dispatch.
Just 20 minutes ago, I tripped over a chair and a white man told me, “you gotta pull your pants up.” This made me livid, I looked back at him with a black man’s rage in my eyes, and I looked him up and down, pounced, and attacked. Flinging myself at the boy I begin by attacking his eyes, I begin to dig my fingernails deep into his retinas and claw them out. Working my finger through the eyes I take my other hand and shove it down his throat and pull from the back of it his Uvula. I then jump off, and with the boy screaming in agony on the ground I walked away and began to write this story. I know that may have been a little harsh, however, this is what will happen to you if you tell me to pull up my pants. PANTS DOWN FOR LIFE!!
I love old technology. The analog feel of buttons and dials under my finger, the lights of a stereo amp, the crackle of vinyl, and the warped sound of an overplayed cassette tape––all create beauty we so often lose in the digital world. The beauty of chaos, the unorganized, and the functionless. These devices hold value in their aesthetics but also through the stories that define them.
Such objects fill my room with stories from my own life and the countless others they’ve encountered. Next to my bed sits a CRT TV I found abandoned on the road. It works surprisingly well for a piece of technology made before Facebook, though, like the person who left it behind, not many would think much of it. It’s been replaced by two decades of 4K ultra-HD developments, which produce bigger, brighter images. Why would anyone watch a special effects masterpiece on something with the quality of a cave painting and a screen smaller than a shoebox?
I see its beauty though, the way it needs to warm up before turning on, the way it cracks and clicks when you try to push its archaic buttons, and the decaying colors of the few remaining VHS tapes, long-forgotten.
I imagine this TV didn’t change hands many times. It was probably bought new at Radio Shack in Ventura, six years before I was born. It probably sat in someone’s living room playing movies for their kids on family game night, and then their grandkids, and then it probably sat in the garage taking up space until they finally decided the black hunk of metal, glass, and plastic was an eyesore whose good days were as long gone as its remote. Now it sits as an exhibit in my room, a reflection of others’ memories and a piece of art for me to admire.
Like this old TV, I, too, can easily be overshadowed by things bigger and brighter. I surf with more passion than I’ve ever felt before, but by most standards, I’d be considered unremarkable.
Surfing’s the scariest thing I’ve ever encountered: walls of water like moving mountains, foam like a powerful avalanche, a board that goes from being your greatest ally to greatest enemy the moment it’s freed from your grip. Is the feeling of a wave worth the pain of falling? Often, it is. Small waves, no biggie, a couple seconds of being under frigid water, and then you paddle back out and try again. But when the waves become giants and the board a brute-force weapon, that fall begins to exceed your limits.
I remember going out on a day with waves far beyond my skill set—Goliath and Polyphemus in watery form. Before I even paddled for a wave, a set came in. The first wave blocked the sun as it groaned past me, the second feathered as I crested its peak, the third, I wasn’t so lucky. The avalanche hit me, immediately tearing the board from my hands. The wave was now groaning on top of me, thrashing my body like a ragdoll in a washing machine. Then, it was over. The wave passed, and I was okay. So what pushes me to surf in these conditions? I think it’s because putting myself in places beyond my skill set and comfort, where I’m deeply flawed, has shaped me. I find love and beauty in the places where I know I’ll fall, for it’s there that I find who I am.
I climb, hike, surf, and run, but most athletic is an unlikely yearbook superlative.
Like the TV, I, too, crack and click when I’m pushed too hard. If all that made me was performance, I, too, would be left on the street without a second thought, but I am my story not my statistics. I too, have beauty, which lies not in my achievements but in my imperfections.
I love stories. I always have. I love people, movies, TV shows, songs, artworks, and especially works of literature that tell good stories.
In my early years, my favorite stories were The Hungry Caterpillar and The 12 Dancing Princesses (the book, not the movie). As a child, my favorite stories were Scooby-Doo and the bridge in “Shake It Off”. In middle school, I fell in love with the stories my English teacher told about his students in the Oakland ghetto and New York Times articles. Now, I find solace in the poetry of Rupi Kaur and the film, When Harry Met Sally (which is, in my opinion, one of the best rom-coms ever made). These are just a few of hundreds, maybe thousands, of stories I have encountered and retained over my 16 years.
What makes a story good, I wonder. I would like to say it’s all about how it is told – the language, imagery, etc – but I actually think that is not always the case. Sometimes, poor acting, an unimpressive screenplay, or a bad melody are of no importance if the storyline itself strongly resonates with me. I don’t mean to say that a mediocre story can’t be told in a way that turns it into something incredible. What I mean is that an incredible story cannot (easily) be turned into something mediocre.
I’ll give you an example. The Old Man and the Sea, by Ernest Hemmingway, has an incredibly simple premise: a Cuban fisherman in his attempt to catch a giant marlin. And yet, it is so effectively written and constructed that we remember this book as one of the great pieces of literature. On the other side of the spectrum, the Harry Potter movies, in which (let’s be honest) the children actors hardly live up to their roles, have still seen unprecedented success. Why? Because J.K. Rowling’s phenomenal story trumps any criticism.
My creativity is expressed in everything I do––from the blog posts I write for journalism, to the way I dress, and even how I move along a wave when I’m surfing––but ceramics is the place where my creativity is communicated best. It wasn’t always this way, though…
From the time I started in fourth grade, all the way until junior year, I believed that the ceramic pieces I created needed a function. I thought throwing a cup, bowl, or vase made more sense than making a sculptural piece. It wasn’t that I didn’t see the value of a sculpture or a piece of art, rather, I did not believe myself to be an artist, and so, my job was to make utilitarian items. I didn’t know it then, but how I treated my ceramics tied deeply to how I thought about the world. I believed that utility was more important than beauty.
The shift occurred after a new ceramics teacher came to my school––she pushed me to use ceramics to express myself. I began to infuse my pieces with creativity, and, just like that, my life became full of creativity too. I created pieces whose sole purpose was to be viewed: teapots that would never hold tea and bowls that I’d never eat cereal from. I put concepts into my work, and my pieces or collections meant something—they didn’t just fulfill a purpose, they stood as a physical representation of an idea. This allowed me to better understand what a piece will mean rather than what a piece will do. The saturation of creativity in my ceramics changed how I thought about the world. I now understand that there is value in something that is simply beautiful.
We all are artists inside––all we have to do is add a little creativity to the many mundane tasks we complete. Now, even when I write a regular essay, or get ready for the day, I push myself to instill elements of creativity into my presentation.
I watched a new movie this week that by any standards is brilliant and moving. And in my opinion, one of the most underrated films.
“Cry, the Beloved Country” is based on a heartwrenching book that deals with really complex topics in such a unique way. I can’t even remotely relate to the characters yet I still suffered with them. This movie deals with issues of segregation and protests against apartheid in such a beautiful and moving way, combined with topics of fear, corruption, death, and forgiveness.
James Earl Jones was incredible. He manages to convey and make you feel so many things through really minimalistic acting. He doesn’t waste himself on meaningless gestures & histrionics, he lets you see the suffering of his soul.
The movie does a great job illustrating the battered country of Africa– where the land itself is described to be the essence of a man– as he navigates through Johannesburg and experiences all its corruption and violence. Many of the political, economic, and societal issues within Southern Africa in the 1950s are brought to light in this film,
This is a movie about black and white. A well-known theme in Hollywood, but I’ve never seen a movie deal with this subject so excellent as this one. The plot is unlike anything I’ve ever read or seen before. Alan Paton, the author of the book it’s based on, is one talented man.
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