A World Collapsed


There once was a thing named freedom. The gods created it for everyone to hold on to from birth and throughout their life, for all of us to rely on. It was a given right and we thought it was safe to stay.

It was a world of peace, as it was supposed to be. A world where we would talk and learn and see the places we wanted to see and know the things we wanted to know; it was a free world.

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There was also a thing named envy. The gods didn’t create it, people did. Why? No one knows. Because the people were bored? Because they were intimidated and jealous? Who knows? But, what can we do? Envy is the flawed human trait, one of them at least.

When envy spread across our peaceful world and the people first tasted its sour acid rain, freedom started to fade. First, the people claimed the world and its land. Then, they saw the beauty of nature and took it. They saw the beauty of the birds and took it, locked them in and traded their freedom for amusement. They kept taking, claiming, and destroying. One day, the greediest of people, saw another person and took them.

Freedom has been on the brink since then. Our world has never been the same since we started taking other people’s freedom for our own comfort. Some of us want it to be the way it used to be, some want this to be a free world again. But, some of us are not enough of us.

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My Little Journal

So many things I can’t say out loud.

So many things I want no one to know, but I want everyone to know at the same time. I want to scream them out into the void and have someone find my words and listen. A complete stranger, one who won’t judge me, though, I wouldn’t really care if they did.

I have so many things I want to write out. Emotions, frustrations… life. But, I can’t formulate the words to say to the people I want to listen, nor can I figure out how to write them on here.

So, I bought a journal. A small, leather journal that I write all my thoughts into.

I tried journaling a number of times in the past, but it only lasted two days maximum. Now, I can’t put my journal down. I write and write, sometimes words of gibberish, but they fill pages of my thoughts, pouring out of the pencil and onto the lined pages.

Now, I make sure to grab my journal and pen every night before I go to bed and I write. I write until my fingers feel numb and the lead wears down.

I guess it feels nice having an outlet to express myself. One that feels like I’m talking to many, when, in reality, I’m the only one who gets to read it. It makes me feel safe and exposed all at once, a type of feeling I never thought would be so rejuvenating.

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Icarus

Don’t get too close to the sun, for you will fall

Don’t get to close to the water, for you will drown

Instead stay on the ground, just safe and sound.

So he did.

Day by day, he’d waste his life away

Blinded by the sun

Immersed into the waves that crashed against the shores

Don’t get too close to the sun, for you can’t fly

Don’t get too close to the water, for you can’t swim

Instead stay on the ground, where you might win

So he stayed.

He stayed on the ground, safe from the wind.

And life dreaded on

And one day he looked around while everything was safe and sound

He started to drown

Not in the shallow waters

He drowned inside himself, drowning in the pools of regret and sorrow

So he got up, and got out

And he flew far away, but he fell

He got too close to the sun, and he fell

He didn’t fly too close to the sun because he thought he could

He flew because he was told he couldn’t

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The Book Of Mormon

Over spring break, I had the opportunity to see The Book of Mormon live in New York City. To put it simply, the whole musical was pure genius. The whole show was hilarious, the choreography incredible, and the singing even more so.

However, despite how much I loved the show, I’m surprised that it’s even still on Broadway. I could easily say it’s one of the most controversial shows to exist, yet somehow, it’s not that controversial. In fact, according to some people I’ve talked to, Kinky Boots is more controversial simply because of the cross dressing, completely ignoring the fact that the Book of Mormon was offensive to just about every race, religion, and sexuality.

I could tell that the whole musical is basically satirical to the Mormon Religion, but in the progressive society we live in, I’m still trying to ponder how the Book of Mormon has not been shut down by Twitter and Instagram activists alike. Either people don’t watch Broadway shows enough, or it isn’t seen as a problem, even though one Tweet intended to be a joke could be interpreted wrong and ruin someone’s life.

Now, I’m going to dive into an overly, probably unnecessary, analysis of the whole musical and the music included.

For those who haven’t seen the musical yet, it follows the story of two young Mormons who travel to Uganda to convert the people there to the Mormon religion. The musical basically mocks the Mormon religion, but also uses offensive stereotypes of other races and sexualities to get their point across.

This whole analysis isn’t me criticizing the musical. In fact, it was probably one of the best musicals I’ve ever seen besides Hamilton or Aladdin, but I’m just genuinely trying to figure out how this musical hasn’t caused more controversy.

But then I realized the answer, and it’s because the entirety of the show is mocking the extremities of the Mormon faith and being entirely satirical of it. Maybe everyone who’s seen it and every critic who’s analyzed it has realized that that is the whole purpose of the show, and everyone who buys a ticket is ready to either be offended or be entertained on a whole new level.

First, let’s talk about the song “Hasa Diga Eebowa,” a song the citizens of Uganda sing when the two Mormons travel to the town for the first time.

To translate just the song title, it’s saying “F**K You God,” and that alone should’ve caused uproar to some of the people watching it, however it ended up just causing the whole audience to burst into laughter.

But the reason is that there were these people in Uganda suffering from hunger, a corrupt government, and many other issues (not to forget all the stereotypes of third world countries in Africa they mentioned), and there were these two guys trying to sugarcoat their troubles and convert them to their religion. That was saying that all their problems would go away if they followed the word of the book. Maybe that’s a flaw of all religions alike, that problems won’t just go away with a little bit of optimism. The song was criticizing that idea, but in a way that made it capturing and hilarious.

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Next song, is “Turn It Off” which was basically a song about a little trick they had to turn off their emotions or “bad” thoughts, one of these, including homosexuality. Now that’s homophobic isn’t it? Was that the intention of the writers, or was it, yet again, being satirical about the faith? Were they criticizing the fact that the religion that preached to be good, was being bad to people who didn’t fit their standards? They weren’t necessarily being homophobic, but they were using examples of homophobia to shine light on the issues that came with the faith.

Next, was “Spooky Mormon Hell Dream” which was my favorite song in the whole show. Basically, Elder Price broke rule seventy-two and was now having a nightmare where he was sent into Hell for eternity. There’s the fact that he was in Hell with Hitler, Genghis Khan, and Jeffrey Dahmer, but he thought he was the most evil of them all. Now, that’s being critical of the ridiculous expectations of Mormons and rules they have to follow. The fact that one little bad act was sinful, and left them believing that they were sinful at the same level as some of the most evil people in history, that’s ridiculous. Now, this example in the show is definitely hyperbole, but it’s still a real problem addressed even if it’s to a much lesser extreme.

Those are just a few examples, but how is this show that’s so insulting still so widely accepted as only comical?

Maybe it’s because it’s so hilarious that people don’t really care, or maybe it’s the fact that it’s a musical meant to be mocking and not actually real life, but isn’t the point of the show to mock the actualities of the religion’s extremities?

I don’t know the definite answer, I’m still trying to figure it out, but for now I’ll keep listening to the songs and continue to analyze this show one too many times.

 

Greek Tragedy (pt. III)

Read pt. I here and pt. II here. — (music)

Spring.

The light filtering into the kitchen was the type of gray-white light that made her glow like a goddess. She was fastidiously picking through a bowl of cereal for the fruit, too focused to really care about the food. He came and placed a hand on her shoulder, stilling her arm, he tiptoed his fingers across her collarbone to her other shoulder and pulled her in, his bicep laying gently across the top of her t-shirt, his hand idly playing with the hem of her sleeve.

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It was still chilly outside and he could see a mist drifting by the window, the grass looked like blades of pure emerald. Rich and dark, sharp in comparison to the fogged and blurred weather. He glanced down into the grass under the window, he could just see the tale of a garden snake, he had begun to think of it as his pet this last month, disappearing into the grass. He tapped her twice on the arm.

“You okay?”

“Yeah, I’m just trying to find the right words,” she hummed.

∆∆∆

As the weather had warmed she had grown colder and colder. The spread of tingling embers that always started in her ribs and shoulders, that radiated out when he was near her, faded into cool pinpricks, like rain or snow. The clock had ticked out the final seconds: tick, mine; tock, mine; tick, mi– and then it was gone, the ticking of the clock was gone. They were no longer tied together, something no longer felt right.

So she found a way to say goodbye.

∆∆∆

He knew he shouldn’t. But he did.

Stop.

He couldn’t help it. He had to look at her one last time, to look back on her like he always had, if only he could have walked the road in time, he could have let the music of what tied them together play as a reminder that she was there, she was real, she was his. But he had to stop — look.

Photo Credit: dreamstime.com

Today she was in white — she never wore white — mourning. She was frozen mid-stride, a raindrop stopped just upon impact with her nose. He reached out and hugged her fiercely, angrily. Wildfire’s searing nails dragged down every nerve in his body. If only he hadn’t looked. If only — he stared at her eyes: cool, unwavering, timeless. He bent down to her —

Start.

He was back in the doorway his back to her, turning away. He tried to spin back, feeling like reality had finally slowed to meet him. He turned just in time to watch helplessly as she slipped away, pulled by an unseen force.

Greek Tragedy (pt. II)

Read pt. I here. — (music)

∆∆∆

She placed the mug in front of him, she was warm just looking at him, it had been like that since the beginning. She could still remember all the steps to the dance that got them here: all the cups of coffee, all the late night fry runs.

She could still remember what he was wearing the first time they had brushed hands and it felt like a powerline had hit her. He had been in a pair of well fit light-wash jeans and a plain white t-shirt, next to her heavy boots his were stylish and sleek.

She could remember the first time she realized that just looking at him could make her blush. Just seconds ago, she had been staring out the window at him thinking she was going to burn up just knowing that he was hers.

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As she sat down though, everything ran cold, her blush fell from her face faster than a spring thunderstorm. It felt as if all her blood had sunk into her feet, leaving the rest of her shivering and pale. She looked away from him, a cold finger running down her spine. Her heart jumped as if just shocked back to life, sluggish and uncomfortable.

In an attempt to warm herself, she brought her mug to her lips and the steam felt cool. Looking over at him didn’t warm her; that molten flame in her chest was guttering. She pressed her lips together as she gently placed the mug back onto the table with a small tap.

She could feel the breath in her chest jump and stumble a little, it wasn’t the normal hitch she got being near him. She lifted her mug again and let the warming steam brush its hands, like his, across her cheeks and nose. She took another sip of her coffee — bitter. She looked up at him — sweet.

She put the mug down again, warmth returning to her fingers, wondering what he would look like come rainy season in the spring. Would he wear that pair of soft, fit-as-if-tailored-specifically-for-him jeans with the tear in the knees? Would he wear that black sweatshirt she so desperately had wanted to steal, would he wear the sleek black jacket, that she loved on him, over it all?

She didn’t know how they were going to reach that point, but she knew they would. Her heart beat a little faster just thinking about it, but then it skipped like it hadn’t quite been beating in rhythm. She was still cold.

He murmured something, pulling her out of her thoughts, “Hmmm?” She responded.

He looked bashfully introspective. She watched him glance up again, with a warm glow in his face, following the trails of steam, a spaceship, into space, finding her eyes in the dark of space, staring at him cooly, like frozen stars.

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“I love you,” he whispered across the planet, with oceans of coffee, beneath them.

She blushed gently, the flame in her ribcage sparked and gained strength slowly, an ember being coaxed back into full warmth.

“I love you too,” she whispered back. An umbrella offered against the snow.

She grinned at him then, content to just look at him as the clock ticked away the seconds somewhere within the cafe. She watched the easy fluidness of his movements as he leaned forward to grab his coffee mug. She watched and painted the angles of his arms as he took a drink, she followed his gaze as he looked past the awning.

He was staring at the pale sun just beginning to show its face through the cloud layer, the snow persisted in small delicate wisps that turned to messy slush on the pavement. She couldn’t help but wonder what went through his head, as he watched the sun slowly appear as if dabbed into existence on a pale, gray background.

She looked away from him then, and looked back into the window of the cafe toward the clock that was adding up their time. Adding up the time that he was hers, another second, another minute, another hour, all hers.

She didn’t even need to look at him head-on to know how the light shining through the clouds lay on his face, making his skin look soft and downy; to know how the bridge of his nose, the center and peaks of his lips, his chin, the very tips of his eyelashes, his gently sloped forehead, and his cheekbones, sloped up, were all glowing with snowy light, like painted lines of adoration.

She looked at him then, at those lines of Olympian light tracing his face like her fingertips. He was looking at her, though, out of the corner of his eye, not at the sun, not out at the world in front of him, he was looking at her.

 

Greek Tragedy (pt. I)

(music)

Winter.

She placed a steaming mug in front of him on the chipped mosaic table. He could see her hips, just at table height and just below the bottom of her large jacket. As she moved to slide into her seat across from him, her scarf drifted away from her body, offering a silvery black contrast to the white atmosphere.

Stop.

He looked up, taking advantage of the frozen moment. Just behind her, outside of the awning, the snow hung suspended and the people braving the weather were stopped mid-step, mid-word. The steam curling out of his mug was frozen, cloudy glass.

Thinking back in this pocket of non-time, he could not quite remember the steps he had taken to reach this point. How exactly had he begun a conversation between the two of them, or had he not started the conversation at all?

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He could remember they had met in a pocket of Indian Summer, he could remember what song had been playing, “It’s Never Over (Oh Orpheus)” — Arcade Fire, he could remember what she had been wearing, a pair of cuffed denim shorts and a burnt-orange t-shirt, a messy ponytail and a pair of well worn sneakers. He couldn’t remember, however, most of the rest of it.

He started at her feet. She was wearing heavy-soled boots, that despite their size did nothing to make her feet seem clownish. Her socks barely peaked from the stiff tops, a light grey knit line-break between the black boots and the black jeans, undoubtedly worn over another layer. He could see her blue-black sweater peeking out below the hem of her jacket, flaring out a little bit.

He continued upward, taking in the puffy jacket that dwarfed her, her hand – frozen midway to her pocket. He paused just a second longer to take in the fall of the jacket, the stolen movement of her arms, the way that her fingers curled around her own mug, the uneven crescent moons of her fingernails.

How had he gotten here? How had he gotten to the point where he could just stare at her and that would be enough? How had he moved from point A to point B? From seeing her serve coffee in a small hole-in-the-wall cafe, to not wanting to miss a single minutiae?

He looked over the folds of her scarf, piled high on her neck, he watched the shadows fall rightly. He followed the fuzz of the scarf upwards to her neck where a flush had crept up toward her face. He followed her jawline from right to left. Her lips —

Start.

She slid into her seat and her scarf fell back into place against her torso. The snow fell, again. All the frozen mid-steps became the movement of the next. He jumped a bit, a shiver riding up his spine. The milky glass above his mug had once again become nothing but vapor. She brought her mug to her lips and stared out from the awning. Now he could see her breathing, there was a small furrow between her brows.

Photo Credit: shutterstock.com

With time now moving he could feel it, a warmth spreading from his heart outwards, a soft tingle from his eyes was working its way down to his toes, while sparkishly light fingers wound around his shoulder blades and rib cage, he would stop time again just to enjoy the sight of her, to will her to understand everything he felt.

“You are everything,” he whispered, testing how it flew from him into the corporeal world.

“Hmmm?” She hummed.

His words, like ducklings pushed from a nest, fell into the mugs between them, unheard and on their own, paddling away from him. She turned to look at him. He was stunned. Her attention was like a blow to his chest. Her eyes, it was all in her eyes and the small grin that dimpled the left side of her face.

How did he get here? How could so much of him rely on her? He looked down at his mug, at the dark coffee there, the light steam curling out of it. Like coffee and steam: warm, rich, and velvety, that was how they were. Coffee and steam, energy and complement, she was warmth in the cold.

He looked up again, “I love you.”

His words this time flew gently across the mosaic table to land in her mug as she brought it up to drink again, to hopefully bring the flush back to her face.

∆∆∆