Tag: Italian Gardens

Underwater Photography

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“Buoyed by water, he can fly in any direction – up, down, sideways – by merely flipping his hand. Under water, man becomes an archangel.” –Jacques Cousteau

There is nothing natural about breathing underwater.  But when SCUBA diving, the world seems to fall away.  Nothing exists but the cool blue-green and the shafts of light that pierce water.  Problems vanish and anxieties melt, swirling past in the constant tide.

One can never possibly find the words to describe diving.  The sound of bubbles, as they rush through your regulator, whirling past your ears and up to the sun, is a low, muted gurgle.  Fog coils around the corners of your mask no matter how well you defog before descent.  Everything is tinted blue and glows softly, flickering as the surface churns.  The weight of your gear is sweet, familiar, even loving.  Each fin cycle is soothing and smooth.

Existence is different down under the sea.  It is simpler and yet, electrifying.  Every sense is heightened, every sensation, magnified.  The only way to bring it back to the surface is through film.  Underwater photography is my specialty.

This summer I got my advanced SCUBA photo certification through Naui at CIMI.

If you’ve ever used a camera on land (which I’m sure most of you have) you probably know it’s difficult to get a good shot.  The lighting is always tricky, your hands might be shaking, the composition is off, your subject isn’t cooperating.  Think of all those volatile factors and then imagine that underwater.

Light exists differently beneath the surface.  Objects appear about a third larger than their actual size and some colors such as red, yellow and orange are much subtler underwater.  The water is constantly pushing and pulling you around and if you’re moving, so is your camera.  A majority of the time you cannot set up your pictures, you must simply photograph whatever presents itself to you.  There is no room instruction or preference, each shot is a gift given by the sea.  Often the subject will be hiding, moving or swimming exactly where you don’t want it to.  So I think it’s pretty clear that this kind of photography is a little tricky.

Personally, I enjoy working with macro lenses (close up) in SCUBA photo.  The amount of and control you have is greater because you can decide how much or how little you want in the shot more effectively.  Wide-angle lenses and fish-eyes are used for larger marine life; two problems with these lenses are: one, you may or may not see any big stuff.  And two, there is NO way to control how the big stuff will (or will not) pose for the shot.

Algae shots are the easiest and sometimes the most radical.  These photos are typically a point-and-click type deal.  They will turn out or they won’t.  I took this picture in 2010:

Italian Gardens, Catalina Island: 2010

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Paradise Pier

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“Eternity begins and ends with the ocean’s tides.” 

There is something consuming about the sea, something so compelling and wild it cannot be expressed.  Catalina Island is a magical place, surrounded by miles of clean, open ocean.  Toyon Bay is a small hidden cove, near Avalon, on Catalina and in the summertime, the sunset is visible from the beach.  And at dusk, the most enchanting place in the world is the pier.

“But when I climb up to my island peak, Escape awhile the madding world of strife, I envy not an earthly thing, this life, Which sometimes galls, is swept clean of its cares, By friendly winds, and once again I smile, Ay, truly, life seems sweet– A thing worthwhile.” –Captain Eddie Harrison

Toyon Bay pier is very old.  The wood, bleached by the sun, is stained by all manner of sea-filth.  Strings of clear fishing line are pulled taut across the weather-beaten rails to prevent birds from landing on them.  A battered wooden storage box rests tiredly against the right side of the pier, accompanied by a digital thermometer attached to the very end of the railing on the left.  There is a lifeguard chair next to the thermometer.  Covered in cracking white paint, it is wooden and overlooks the bay, facing right off the pier toward the Point; a green fabric umbrella with a faded nut-brown stand, somewhat crooked, shades the chair.  A long steel ramp slants downwards onto the float, where the boats land and cast off.

There are little holes in the planks that make up the floor; you can see down into the clear blue water and observe the myriad of fish and small sharks that swim below.  Waves churn around the stanchions that jut out of the water, resisting the thrashing, pulsing currents.  Seaweed writhes and dances around the supports in a lovely, hypnotic rhythm.

“How the sea took me, swept me back…The only sound was the roaring sea, the freezing waves…and yet my heart wanders away, my soul roams with the sea…”

The water in the bay is pure, crystalline aqua near the shore.  It deepens to a vibrant, striking turquoise as the sandy bottom falls away.  All around the pier, the water is dotted with bright orange spots, friendly garibaldi swish happily in the gently swaying amber forests that grow around the bay.  The marriage of oceanic and autumn colors is magnificent.  Leopard sharks dart in and out of view, their splotches of grayish-black color camouflages them in the shadowy surf zone.

“The best way to observe a fish is to become a fish.”-Jacques Cousteau

Palm tress move gently to and fro, above the stone amphitheater.  They are quite large, even for palm trees.  Their startlingly green leaves are pointy and hang down around the trunk like a peel hangs from a banana.  Clusters of blaringly orange dates hug the trunk, high up by the leaves.  The trunk is made of rough coco-power colored bark.  Deep zig-zagging lacerations create an intricate pattern in the trees that make your eyes fuzzy if you stare too long.Read More »