In the worldly beloved art museum of Louvre, there is an important rule strictly applied to all artists.

Every artist must die for over sixty years to have the masterpiece displayed.

This rule abandons the positive correlation between price and demand and most logics that we could possibly mention.

Then, why is it true that artistic value increases along with death?

The answer may be related to the discovery of veiled works after death like Emily Dickinson‘s findings, people’s preference for old genre, or successful estate planning.

Estate planning essentially ensures the art value for the artists. During this process, they are highly recommended to make a will with a careful selection of their artworks that have been evaluated professionally, to decide the management of these works for 70 years after their death, and to figure out a way to reduce the inheritance taxes.

However, the case with Vincent van Gogh who left the world without such plan divulges a mystery of dramatic increase in his artistic value.

Despite the high appraisal he receives from the world today, his death was lonely with unpopularity. Perhaps, his artworks were overly avant-garde to be appropriately appreciated during his lifetime like Leonardo Da Vinci’s previously infamous but revolutionary creation of wheel transportation.

In the midst of this ambiguity, the Louvre Museum continues oblige its artworks to belong to the dead artists.