“I sat within a valley green
I sat with me my true love
My sad heart strove to choose between
The old love and the new love
The old for her, the new that made
Me think on Ireland dearly
While soft the wind blew down the glade
And shook the golden barley
‘Twas hard the woeful words to frame
To break the ties that bound us
But harder still to bear the weight
Of foreign chains around us
And so I said, “The mountain glen
I’ll seek at morning early,
And join the brave United Men
While soft winds shake the barley.”
While sad I kissed away her tears
My fond arms ‘round her flinging
The foeman’s shot burst on our ears
From out the wildwood ringing
A bullet pierced my true love’s side
In life’s young spring so early
And on my breast in blood she died
While soft winds shook the barley
I bore her to some mountain stream
And many the summer’s blossom
I placed with branches soft and green
About her gore-stained bosom
I wept and kissed her clay-cold corpse
Then rushed o’er vale and valley
My vengeance on the foe to wreak
While soft wind shook the barley
But blood for blood without remorse
I’ve taken at Oulart Hollow
And laid my true love’s clay-cold corpse
Where I full soon may follow
As ‘round her grave I wander drear
Noon, night and morning early
With breaking heart when e’er I hear
The wind that shakes the barley“
–Robert Dwyer Joyce, “The Wind That Shakes the Barley.”
This poem was written about the 1798 Irish Rebellion, a conflict opposing British rule in Ireland.

It is told from the perspective of a young Irish rebel, torn between his lover and his desire to fight for his country.
He is about to sacrifice his relationship when a British “foeman” shoots his love, killing her.
He goes on to bury her, and take his revenge on British soldiers.

Irish rebels carried barley in their pockets while they traveled, as provisions. The rebels were often buried in mass graves, (called “croppy-holes” because rebels often cropped their hair), leading to barley springing up, marking the graves.
Barley is also said to represent the resilient and regenerative nature of Irish resistance to British occupation.

The title of the poem was borrowed for the 2006 Palme d’Or winning Irish war drama directed by Ken Loach.

It’s a beautiful poem that truly captures a painful moment in history.
Writing and suffering, a powerful kinship.