Coachella

Of all the things I wish I could have done so far this year, Coachella tops the list. With headliners Kings of Leon, Arcade Fire, and Kanye West on top of artists like The Black Keys, Wiz Khalifa, and The Strokes, it was no doubt nothing short of incredible.

In my slight depression since missing Coachella, I’ve been reading a lot of reviews, and all of them say that it was almost all great shows. One performance, however, stood out above all else.

Kanye West.

In all of the extravagant concert entrances I’ve seen, which is a slightly above average amount, Kanye’s was the best planned and would have been beyond awe-producing.

To sum it up, he had his dancers, twenty or so ballerinas, dance around for a good three minutes, then kneel down to a large monument to what seems to be gods. Then, from behind the crowd comes Kanye West, slowly being raised into the air on a raised platform, pointing to the sky all the while, as the phrase, “can we get much higher” is heard over and over again.

When I saw the video for this entrance, I was feeling two, very clear emotions: Jealousy, at the crowd for being there, and at Kanye, for being him, and then complete and utter awe. I knew right then and there that Kanye had done something that few people have ever done. He had made himself, in that one moment, the most important man in the world.

Not to say that he was the best, or the most needed, but I’d bet that more people wanted to see, hear, and be Kanye West in that one moment than anyone else on earth. He was truly the king, and even his ego was ridiculous no longer.

Of course, the moment passed, and he was just Kanye West again, entertainer, egomaniac, and generally only respected for his music. The image still remained, though, and in my mind and undoubtedly in the mind of countless others.

The Music Behind The Superbowl

By the time my editor gets to this, the Superbowl may have come and gone, and this story may seem extremely outdated. However, at the time of its conception and all the while that it was being written, it was extremely up to date, and by that I mean the day before the Superbowl. The story, which I have so elusively spoken of up to this point, is a story about a song that has come to define this 2010-2011 sports season. Steeler’s tribute “Black & Yellow.” The song by up and coming rapper Wiz Khalifa has received quite a lot of attention, peaking at number three on the billboard hot 100, going double platinum, and having nine remakes made about other sports teams alone (with countless other remakes and remixes done as well). Most predominately Lil’ Wayne’s newly released Packers tribute “Green and Yellow,” which marks the coming Superbowl (which, for those who don’t yet know, features both the Steelers and the Packers). The buzz these songs have caused has brought a new intensity to sport’s fans love of their hometown and its teams.

The style of these songs has changed the way people relate to sports, or, more accurately, broadened the way people relate to sports. The idea of using the influence of a musician to promote a cause of theirs is becoming a trend, and more and more people are catching on. When it comes to so many people using his song, Wiz doesn’t seem to be complaining. The extra press has only sent the song upwards on the charts as has the Steelers success this season. When interviewed by VIBE, he said, “People can’t box my sound in anymore… I’m just happy that my music reflects that.”

This Site Is Sick


My brother is a college freshman. He acts like one too. He goes to classes, listens to dubstep and hip-hop, and tries desperately to get into frat parties. He, being the older of us two, has always been ahead of me in most aspects of pop culture, with me trying desperately to stay as cool as my big brother. Well, when it comes to music, he managed to beat me again. He showed me a website called thissongissick.com, and it makes sense he would know about it. It’s a website that dedicates itself to finding the newest songs from dubstep and hip-hop artists that are relatively unknown, or in some cases, just really good. Wiz Khalifa has been featured on there, as well as artists like Sam Adams and Skrillex. Well worth a look, “this song is sick” has become a standard in what a lot of college and high school kids listen to.

Taylor Gang or Die…



Wiz Khalifa. If you haven’t heard that name, you will. Cameron Jabril Thomaz (more often refered to by his stage name Wiz Khalifa) has come a long way since 2005. From his first mixtape (Prince of the City: Welcome to Pitsolvania) to his most recent single (The now infamous “Black & Yellow”) he’s had the kind of journey most rappers only dream of. Now age 23, he has released eight mixtapes and two albums as well as making two mainstream hits, the first being “Say Yeah,” the electronic hip-hop style track from 2007, and the second being “Black & Yellow,” which is currently one of the five hottest songs in America.

Wiz Khalifa lives a life of ambition and focus when it comes to his career, saying on his second album, “It’s lonely at the top, I’m tired of having company.” Well, he may not be there just yet, but he’s been rising fast. This can be attributed to many things, including time and talent, but also his clever and resourceful use of the internet and other new media. He constantly updates his twitter page, telling his fans about anything from how his new song is coming to just how flat-out drunk he is, and his fans love him for it.

As he says at the end of his first verse in Black & Yellow, “No keys, push to start.” And as it would happen, push to start seems to be exactly the case. Wiz Khalifa has started the road to mainstream success, and he seems to be loving how it looks from here.