Third Man

Honestly, I don’t see how I’ve gone this long without doing some sort of blog about Jack White and Third Man Records, so let me just start it by stating (or understating) that Jack White is my hero, so just about everything he does is awesome.

Third Man Records is the label that Jack White started in Nashville as a way to basically bring back the blues into the modern era.

One of the things Third Man has in their store that is extremely awesome is the reissue of the anthology of Blind Willie Mctell (one of the greatest guitar players ever), Charlie Patton and the Mississippi Sheiks (one of the first rock n roll bands ever). This is an awesome way to make sure that Delta Blues stays in our culture forever. This is some of the best music ever recorded, I highly recommend you all go check it out.

One of the acts signed to TMR is the incredible and unique Seasick Steve. Seasick Steve…well…he knows what he’s doing. One of his guitars only has three strings, while another one, that he made out of a broom stick and pie pan, has only one. Check him out if you like slide.

Some other artists that are or have been signed to TMR are the Alabama Shakes, Reggie Watts, Beck and Pokey Lafarge (check him out he’s awesome).  But above all else, just go  look around the website here, and you’ll be opening a door to some amazing music.

Influential Oldies

It’s safe to say I was born into the wrong decade.

If I could pick a time to grow up in, it would be the 1920s-30s.  My favorite music comes from around then.

The king of blues, and pretty much music, was around in the twenties and thirties. Robert Johnson, or the greatest and most influential guitar player to date recorded most of his music in 1936. When you hear him play, you hear just how ahead of his time he was. This is either because of how good he was, or because everyone has copied his style. Even Cream capitalized on his success. If you ask any successful guitar player who influenced them, you can trace it all the way back to Robert Johnson, because he started it all.

My other favorite blues guitar player from around then was Robert Johnson’s old friend Son House. Son House…was Son House. He kind of just recorded what he wanted when he wanted. Screw rhythm, Son House is playing. “Grinnin’ in your Face” is basically just him clapping around the beat and singing off key and tempo. But, it’s still a top twenty five song…ever. Death Letter Blues combines is stomping, clapping and singing with some slide guitar. How bad could that be?

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