Daft Punk

I can hardly believe I’ve gone this long without a Daft Punk post. Thomas Bangalter and Guy-Manuel de Homem-Christo are not just legends of electro house, but icons of a musical generation.

While attending a French university, Bangalter and Manuel started a band with Laurent Brancowitz called Darlin’. The members themselves now admit the project was not their best work. A negative review by Melody Maker magazine claimed it was “a bunch of daft punk”. The trio had the last laugh however, as Brancowitz went on to form Phoenix and dominate electropop while the others donned robot helmets and made history.

Daft Punk rose to fame with the single Da Funk off of their debut album, Homework. The single entailed a music video by Spike Jonze for MTV. Shortly after, the duo signed to Virgin records and hired Pedro Winter as their manager. Eight years later, Busy P created the powerhouse French record label, Ed Banger. Daft Punk truly has the Midas touch.

Five studio albums later, the group is now producing the soundtrack to the upcoming Tron Legacy for Disney, which I can assume is the heftiest paycheck the duo has received in a while. That said, I’m sure they enjoyed the challenge of producing a movie score instead of a new album (See: SebastiAN’s OST for Notre Jour Viendre).

Daft Punk are legends of the French house scene. They headline and sell out every stadium they play. In fact, It has become somewhat of a rite of passage for DJs to remix a Daft Punk song with justice to the original (See also: SebastiAN’s Human After All remix).

Cultural context can transform your perception of music. Hopefully the next time you see Daft Punk, you think Daft punk, and not those guys with the robot helmets who made “One more time.”


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