Frank abruptly walked headlong into a grimy wall. His mind wishing for the beautiful side of the city had tried to take a right turn, but he was on a rounded road. He tapped his pocket again, for comfort, to remind himself of his dreams, to remind himself what the city had promised him, what the city had baited him with. He pulled the postcard out of his pocket. It was lined and greasy, the creases were chipped, he could barely make out the beauty he had once found so heart achingly perfect. He was too late. His toes had hit the steps of a factory.
Amelia slowly stepped out of the elevator. The sounds of the crowds reached her first, then the bright flashes of cameras. Her new world was set to be bright. She was designed for the city. The city was designed for her. She stepped out the doors, the cameras followed her, she turned to the monoliths, she understood: Harborside knew the world and the world knew Harborside, within Harborside was the world. She turned to the sea, there laid the cradle of life, status, money; it flooded into her the meaning of value, the true meaning: money.
As she walked the city doors opened to her. She was Amelia, the city was hers. She would never be lost to the crowd, the city would never bowl over her, time would not forget her, Frank was already fading.
She wandered the city all day, the crowd only grew around her, but as she strayed closer and closer to the borders of her postcard the crowds grew restless. Space seemed to shift. Where she walked she owned, the postcard was empty space with blank people, but where she walked new hope, new futures sprang up like daisies in her wake. But as she neared the last corner, the last wide boulevard, her daisies seemed to fight for sunlight. Her unique ownership was being pushed back by the ownership of the many, the workers no longer singular but one full moving entity, lost to the mindless grind of the crowd, the fingers became a hand.
She had reached the end of the immunization ring, the end of the filigree border on the postcard of Harborside and standing on the other side of the glass was Frank.
Before Amelia, who was the crux of the city, eyes of the future, was Frank, whose hands bled from his first shifts in the factories, who was beginning to smudge around the edges.
Before Frank, the disenchanted dreamer, a man of ideals and cities past, was Amelia, a small mechanical girl with holographic eyes and the entire modern world and future in her circuit board chest.