Film Analysis: Glass Onion – The Art of Hiding in Plain Sight

Most viewers, when consuming a piece of murder mystery media, expect layered complexity; they take into account every character’s dialogue, attributes, and motives in hopes of uncovering the buried answers. Glass Onion: A Knives Out Mystery director Rian Johnson—fully aware of this standard approach to mystery stories—flips the murder mystery genre on its head by featuring conspicuous clues and foreshadowing so straightforward that the audience disregards it as extraneous.

Johnson incorporates seemingly standard yet meticulously intentional staging and direction to explicitly reveal how the film’s murders were committed, well before it is verbally revealed much later. The most striking example is during the film’s first on-screen murder, with Miles handing Duke his own glass. Miles urges his friends to look at Birdie’s extravagant dress spin while simultaneously giving Duke his glass. The shot features Birdie’s dress blurred in the foreground, while Miles and Duke are in focus in the background. While the act is quick, Miles’s deliberate murder of Duke is blatantly displayed. But due to Miles calling attention to the colorful dress, viewers are drawn away from the switching of glasses behind her. Furthermore, when Duke’s phone and gun go missing, Johnson ensures that the film’s cinematography and editing present Miles being in possession of both, without explicitly calling attention to it. In the scenes following Duke’s death, his phone can briefly be seen—in short cuts—in Miles’s back pocket. Moreover, when Miles runs away looking for Andi, he runs unnaturally and clumsily, always keeping at least one hand out of sight, implying he is holding Duke’s gun. These intentional visual cues demonstrate how the truth is often directly embedded in the film’s directing and framework, but always eclipsed by Johnson’s carefully orchestrated spectacles and misdirections.

Sakura Kage — Miles' Glass

PC: Google

Film Review: Everything Everywhere All At Once

Everything Everywhere All At Once is a film that, on paper, by all means, should not work; its story is convoluted with so much happening, with elements taken from various conflicting genres such as action, comedy, drama, romance, absurdist fiction, and science fiction.

And yet, it is one of the most expertly crafted and passion-filled films I’ve ever seen.

While the movie is crammed with so many genres, themes, and unconventional ideas, it somehow manages to excel at everything it tries. Its generic action movie premise centered around the multiverse—a concept that has been overused and grown stale in modern media—is harnessed to enhance its narrative and its themes, rather than serving as a simple gimmick; the multiverse is presented as a parallel to the overwhelming abundance of possibilities and choices in modern life.

Within infinite possibilities, there is so much to be envious, confused, and disappointed in. The choices we made or didn’t make may have driven us away from a more successful or happy life. And yet, this mindset of trying to find meaning in everyday life by chasing extraordinary achievements is what often blinds us from appreciating what we already have.

Without explicit spoilers, the film ties together all its characters and plot lines in service of conveying the theme of cherishing the seemingly insignificant gifts we have, instead of trying to find meaning in a meaningless world.

Everything Everywhere All At Once - Evelyn chases Joy

Picture Credit: Google

Movie/Show Recommendations

In no particular order, here are some movies and shows I watched, loved, and would highly recommend. Some of them I grew up with and others I’ve seen in the past year, some of them are basic, and others maybe not so much.

The Queen’s Gambit, The Matrix, Breakfast at Tiffany’s, Stand By Me, The Notebook, Mamma Mia (the original), 13 Going on 30, Gilmore Girls, Where the Crawdads Sing, The Sound of Music, How to Lose a Guy in 10 days, 10 Things I Hate About You, Amélie, Goodwill Hunting, Clueless, Scream, When Harry Met Sally, Miss Congeniality, Dirty Dancing, Forrest Gump, The Shining, Friends, Steel Magnolias, Stranger Things, Star Wars, The Florida Project, Moonrise Kingdom, The French Dispatch, The Grand Budapest Hotel, The End of the F***ing World, The Edge of 17, Les Miserables, The Karate Kid (the original), 500 Days of Summer, It’s a Wonderful Life, Psycho, The Fugitive, Pretty Woman, and Only Murders in the Building.

And here’s a short version of my to-watch list:

Roma, Léon (The Professional), and The Great Gatsby.

^ Amélie, PC: https://i.pinimg.com/564x/a9/80/e6/a980e62330f654ae1133ee9bf2b0bc6f.jpg

Stories

I love stories. I always have. I love people, movies, TV shows, songs, artworks, and especially works of literature that tell good stories.

In my early years, my favorite stories were The Hungry Caterpillar and The 12 Dancing Princesses (the book, not the movie). As a child, my favorite stories were Scooby-Doo and the bridge in “Shake It Off”. In middle school, I fell in love with the stories my English teacher told about his students in the Oakland ghetto and New York Times articles. Now, I find solace in the poetry of Rupi Kaur and the film, When Harry Met Sally (which is, in my opinion, one of the best rom-coms ever made). These are just a few of hundreds, maybe thousands, of stories I have encountered and retained over my 16 years.

PC: https://s.abcnews.com/images/Entertainment/ht_meg_ryan_billy_crystal_when_harry_met_sally_jc_140711_16x9_992.jpg

What makes a story good, I wonder. I would like to say it’s all about how it is told – the language, imagery, etc – but I actually think that is not always the case. Sometimes, poor acting, an unimpressive screenplay, or a bad melody are of no importance if the storyline itself strongly resonates with me. I don’t mean to say that a mediocre story can’t be told in a way that turns it into something incredible. What I mean is that an incredible story cannot (easily) be turned into something mediocre.

I’ll give you an example. The Old Man and the Sea, by Ernest Hemmingway, has an incredibly simple premise: a Cuban fisherman in his attempt to catch a giant marlin. And yet, it is so effectively written and constructed that we remember this book as one of the great pieces of literature. On the other side of the spectrum, the Harry Potter movies, in which (let’s be honest) the children actors hardly live up to their roles, have still seen unprecedented success. Why? Because J.K. Rowling’s phenomenal story trumps any criticism.

Her Made me Feel Empty

On Wednesday, I had to go through the lovely experience of an almost 20-hour travel day to get back from Barcelona to LA. On the long flight from Frankfurt, I did something quite out of character. Instead of just taking Melatonin and crashing for the whole flight, I only crashed for half and decided to watch a movie to pass the rest of the time. The movie I decided to watch was a movie called Her which I had heard was one of the best-made movies in the 2010s.

Going into this movie I was pretty much expecting a two-hour-long Black Mirror episode with some pretty creepy undertones. Although I was only half right, I was not prepared for what I was about to experience. First of all, watching such a movie with the very heightened emotions that come with flying is not the best idea. Second of all, this movie is one of those Black Mirror-Esque experiences that could actually happen in my lifetime. Which is always an extremely off-putting experience. Before I get into how depressed this movie made me I just want to appraise this movie for how well made it is. Not only does it work with color imagery and contrast so well, but every character is so good and so well acted out it’s almost surreal. The way this movie deals with the depression of separating from a partner, the awkwardness of a new relationship, and even a human falling in love with a brand new Artificial Intelligence experience is genius. Every emotion conveyed in this movie is so real, it makes you want to close down your heart and never open yourself up to human emotion ever again.

Photo Credit: BBC

To someone who’s never watched this movie, it’s probably pretty weird to think that a movie about a man falling in love with a computer could provoke any real emotions, but it does. It really does. Honestly, this movie made me feel more empty than Your Lie in April, The Joker, and Dead Poets Society combined. I mean this movie made me feel like a hollow husk of a human being. It’s actually insane to me that the makers of this film even pulled it off. Her is one of those movies that was drastically ahead of its time. For being made in 2013, it could have easily made a similar if not bigger impact if it were released today.

Photo Credit: Rescu

What’s Rule #1

WARNING MAJOR FIGHT CLUB SPOILERS

A few nights ago I decided to watch Fight Club. For a while, I had put watching Fight Club off because of all the hype, I had heard a lot about it and I didn’t really understand why there was so much fuss over a movie about people who fight each other. However, whilst watching a Netflix Special about cliches in movies, and the bomb scene from Fight Club was featured. I was a little confused having scene that since I couldn’t really connect people fighting with a bomb scene that looked like it was from Mission Impossible, but I was intrigued.

The movie begins with a slow burn. The first few scenes just introduce the main character, he’s really nothing special just a slightly nerdy white guy with mundane life and a mundane job. So mundane in fact that he begins to develop a major insomnia problem. As it gets worse, he begins to attend various support groups as it helps him cry and therefore actually get some sleep. At this point, I’m thinking to myself How the hell does this turn into a bunch of guys fighting. When his support group sessions get invaded by another faker, he quits. Instead, he takes up random one-time interactions on the plane as a form of therapy. On one of these flights, he meets Tyler, a young, attractive, charismatic, and interesting guy who makes soap for a living.

Although Tyler clearly is more interesting than the main character, they both share the same problem: their lives are extremely boring. They start the Fight Club, as the Fight Club grows, it gains massive traction, Tyler spreads it from city to city and basically becomes the god of people with mundane lives. His influence over them becomes so strong in fact, that he convinces them to become terrorists. They burn a smiley face into a building and even blow up multiple financial headquarters to erase people’s debt. The main character freaks out. He had no involvement in the terrorism, just the Fight Club but he knew that Tyler had dragged him into committing one of the most serious crimes.

In a final confrontation with Tyler, the main character begins to realize that he has been Tyler this whole time. Tyler was a figment of his imagination created by his insurmountable insomnia that represented everything he wanted to be in life. He was Tyler and even was so delusional that he sometimes pictured himself watching what Tyler was doing. I had begun to suspect that the main character’s insomnia had something to do with it because the plot was getting so bizarre that some of this had to be hallucinated. However, I kind of believe that this was one of those Usual Suspects type movies in which the viewers are meant to catch on earlier than the characters but still feel uncertain because of how off the rails the movie was before.

These types of movies are my absolute favorites. Much like No Country For Old Men or Momento, for most of the movie, I could not figure where this movie was going, and as the movie progressed, the plot spiraled further and further into its own insanity, and by the end, you don’t really know what to feel because you’re still trying to figure out what the hell you just watched. I’m still thinking about a lot of what happened in that movie, and some of it still perplexes me a little, but I am certain that it was one of the best movies I’ve seen in months, and it’s definitely about a little more than just guys who fight each other.

Image credit- mensjournal.com

Why, Disney, Why?

A couple of days ago it was announced that the release date for the live action Mulan was pushed back yet again to Spring of 2020.

Photo Credit: weibo.com

Meanwhile other movies have been pushed up and newly announced, now I can’t say what is going on behind the scenes at Disney or what is going on with any part of the Mulan-in-the-making, however I can say that from where I’m sitting I’m angry.

I’m not angry at production, corporate, actors, etc. I am a general type of angry that I will have to wait two more years to see my favorite Disney “princess” back on the big screen (admittedly, I watch the cartoon version almost monthly {life is stressful}).

Photo Credit: ew.com

Why, Disney, why? I understand the importance of Avengers: Infinity War but I want to see an Asian-woman-led movie. Which I will get courtesy of Constance Wu in Crazy Rich Asians (GO CONSTANCE!), but it’s not Mulan.

My heart hurts and child-me feels a little bit like I was offered matcha ice cream only to find out it was a heaping scoop of wasabi, but oh well. I guess I’ll have to wait two more years to see Liu Yifei (who I will, until further notice, imagine is me) kicking some major Hun a*s and saving China.

“Beautiful”

While it may sound vain, despite being relatively confident, comfortable, and even sometimes feeling rather pretty, I don’t think I’ve ever felt fully represented as “beautiful”. It frustrates me that so much of my already fragile confidence could be tied to media, movies and t.v shows but it kind of is.

Part of me feels like the culture I grew up in does not believe me to be “beautiful”. I’m not western enough, in fact in personal experience when I see an East Asian in a show or movie, while my heart does glow, they are usually mixed race or distinctly more western looking than I or many other East Asians look, so in a way I guess I’m used to feeling sidelined for a more western standard. Which is probably why I’ve never felt that en masse the American.

I often wonder: have I have been conditioned from childhood to see myself as too East Asian to be considered en masse “beautiful”? I have this fear that there will always be that “for an Asian” tacked onto compliments about my appearance or just the “oh she’s Asian” exclamation. I’m not sure when this would/has befall/en me but it’s still become a very real insecurity.

Photo Credit: Martin Taylor Home Page

The older I’ve gotten the more I seem to notice that I’m not sure where I fit, there’s always a twinge when someone asks if I’m an exchange student or to translate something for them, that’s in Korean *cringe*, but hey perhaps understandable transgressions, but still, really?

I don’t see myself reflected back when I see “beautiful” people on the t.v or in books or in American pop culture. When people make lists East Asian are woefully lacking, the part of me that is fed off of pure media is constantly being told that people who look like me aren’t really that beautiful.

I’ve talked about white washing before, but this year I was hit with a whole new wave with the twitter #expressiveasians.

An unnamed casting director is cited in Nancy Wang Yuen’s book Reel Inequality: Hollywood Actors and Racism, as having said, “Asians are a challenge to cast because most casting directors feel as though they’re not very expressive.” As much as this statement kind of makes me want to laugh, because who even says sh*t like this? The more I sat and thought about it the more it shocked and … hurt.

Photo Credit: Twitter

I’ve always been slightly insecure about my smile, how small my eyes get when I laugh, I mean just my face in general, but this comment, despite the amazing retaliation from many proud Asians on the internet, just hit hard and not even where it was necessarily directed.

It hit me in a way that I can only liken to feeling like taking a photo with friends looking at it and going, “Oh god why do I look different, why do they all look good while I look so ugly?” It’s just the feeling of being the odd one out, in the case of Expressive Asians it’s being the perpetually non-expressive race.

It’s a kind of reminder that says even if you feel the same you definitely don’t look like it!

While I am in fact Chinese-American I’m not mixed race, I am full blooded Chinese, but I’ve grown up in America with Caucasian parents, in relative white privilege, so I’ve always been stuck between two worlds. I think and act like an American but I realize that people don’t see me as American until I open my mouth and even then sometimes they don’t. It leaves me to wonder about how I feel about myself, how does America as a culture feel about me?

Is it too much for me to want to see myself reflected back from the screen without the aid of cartooning? Is it too much for me to see someone like me be considered “beautiful” in American pop culture?

 

Star Wars Spectacular

A few weeks ago my friend Hanna and I decided to go see the latest installment in the beloved Star Wars series. I had only seen one of the movies previous to this, so I really had no idea what was going on. I walked into the theatre thinking it was going to be a super nerdy movie about bizarre looking alien-like creatures

I walked into the theatre thinking it was going to be a super-nerdy movie about bizarre looking alien-like creatures who fight each other with laser beams.

Although I was somewhat right, I loved every minute of it.

I have been turned into a total Star Wars fan, I have been watching the older movies in the series, obsessively.

I enjoy the action and adventure of the series, similarly, I also adore Indiana Jones and James Bond, but who would have thought I would become a Star Wars geek.

http://img.lum.dolimg.com/v1/images/tfa_poster_wide_header_adb92fa0.jpeg?region=61%2C271%2C1937%2C1089&width=600

My Top 5 Favorite Movies of 2015

2015 has been a great year for movies. Many were surprisingly good and in honor of the great movies this year I have created a list of my 2015 favorites. How I decided what I put on the list is by asking could I watch it more than three times and still enjoy it.

Photo credit teaser-trailer.com

#5 Mad Max: Fury road
Many people didn’t see this and I highly recommend it. I went into the movie expecting the worst movie of the year but was pleasantly surprised. The movie is based on Mad Max a low-budget film from 1979. The major reason why I enjoyed the movie was because the first time ever I went to the movies and saw something with a really basic plot that was entertaining. There wasn’t a moment in the entire movie that I disliked. They cut out all the slow scenes that are just there to add time like in every other action movie post-2000. Along with the great plot, the costumes, scenery and vehicles are astounding. It was also refreshing seeing a dystopian movie without teenagers.

Photo Credit to marvel.wikia.com

#4 Ant-Man
Ant-Man was great it was a perfect combination of action and comedy – plus the film makers did a fantastic job with character development. I liked this movie more than Avengers age of Ultron and that is because marvel has finally introduced the Wasp. After age of Ultron, I was outraged that they expanded the team and didn’t have the Wasp. Then when I saw the trailer for Ant-Man I was even madder because I thought “OMG there replacing the wasp with an Ant!” But at the end of Ant-Man I realized, “wait the girl is the Wasp” and sure enough at the end they reveal she is going to be the Wasp. I really did love Ant Man and even if they didn’t introduce the Wasp. An expert thief turns to a badass superhero who doesn’t love that?

Photo Credit to cinedude.com

#3 Jurassic World
I was on the Jurassic World hype train since the day the preview came out. Jurassic Park was a huge part of my childhood and I am glad they made a new one. It was great from the special effects to the acting. It’s just an all around entertaining movie.

Photo Credit to teaser-trailer.com

#2 The Man From U.N.C.L.E.
The Man From U.N.C.L.E. was made spy movie of the year in my books. The perfectly executed 1960’s theme, pretty girls, and unique plot are a rare sight in most spy movies recently. Based off of the hit TV show The Man From U.N.C.L.E. (which I binge watched prior to the movie), has Russia and the United States working together to save the world during the cold war. Between the tough Russian and the arrogant American, all the bases are covered. I love the 60’s – just the time period alone made me put this above Mission Impossible.

Photo Credit to potentash.com

#1 The Martian
Mark Watney portrayed by Matt Damon was left behind on mars he has to find a way to survive against all odds. After contacting NASA the whole world is shocked by his survival and space programs join together to bring him home. This movie was so good it even made interstellar look bad, and for that reason it easily made the top spot on my list.